Michelle Lee Johnson (b. 1996 California, USA) lives and works in London. They hold a Bachelors (Hons) in Interdisciplinary Studies from New York University and have recently completed their Masters of Fine Art from Goldsmiths University, London, UK. Selected duo and group exhibitions include Plicnik Space Initiative (London, UK), INDUSTRA (Brno, Czech Republic), Hartslane Gallery (London, UK), Salón ACME (Mexico City, Mexico), Deptford X (London, UK), Bacio Collective (Brno, Switzerland), Emily Harvey Foundation (New York, NY), Artlab Gallery (Ontario, Canada), and Parasol Projects (New York, NY). They have been awarded the Eaton Fund grant, Tower Hamlets Community Fund, and an Art Fund fellowship at Cell Project Space.
Working across sculpture, moving image, performative gestures, and installation, their practice examines processes of subjectivity, particularly the coercive mechanisms through which behaviour, desire, and affect are regulated. Drawing on the aesthetic languages of kitsch, commerce, and popular culture, they investigate how desires for connection, authenticity, and fulfilment are produced. Techniques of reproduction form sculptural interventions where objects hold attachments to belonging and transformation. In doing so, their work reconfigures the material consequences of physical and ideological infrastructures to expose how a system that manufactures wants and withholds promises produces fantasies of freedom and authenticity.
They have a particular interest in sites that collapse a boundary between public and private—the street, the surveilled public square, or the train—to probe questions of ownership and authorship. At times, a city animal operates as a mirror for systems of value, where staged encounters attempt to recast our relationship to place and nonhuman entities.
Education
2022 - 2024 Goldsmiths University Master of Fine Art, London, UK
2015 - 2019 New York University BA Gallatin School of Individualized Study, New York, USA magna cum laude
Awards and Residencies
2025 Artist in residence at INDUSTRA Art
Selected for Plicnik Space Initiative Crit Sessions 2024 Eaton Fund Tower Hamlets Grant, project funding 2023
Art-Fund Fellowship at Cell Project Space
2019 Thesis Mothers of Our Pearls awarded Honors Horn Family Fund for Environmental Studies, project funding 2016 Founder’s Day Award
Duo Exhibitions
2025 Force with no net sum, INDUSTRA, Brno, CZ
Selected Group Exhibitions
2026 Studio 1.2, Guilds House, Rollins St, London, UK
2025 Step 3. ????, Plicnik Space Initiative, London, UK Despite Collective Part II, Ethereal Maison, London, UK 1, 2, 3, Alt!, Project sitnaltA, Hypha Studios Marble Arch, London, UK 2024 A Letter from a Friend, Bacio Collective, Bern, SWTZ be still [Degree Show], Goldsmiths, London, UK
Salón ACME No. 11, Salón ACME, Mexico City, Mexico 2023 Deptford X Fringe, London, UK In-term, London, UK Approximate Distance, Hartslane, London, UK Nightlife, Loose Screws, London, UK Loess Collective presents Taste the Difference, London, UK 2022 Washed Ashore, Fort Tilden Beach, New York, USA 2021 Years ago, still show, The Emily Harvey Foundation, New York, USA 2019 Museum for Future Fossils, Artlab Gallery, Ontario, CAN Gallatin Arts Festival, Gallatin Galleries, New York, USA 2018 Slicing, Burning, Boiling, Parasol Projects, New York, USA
2017 Climate Action Conference, Tisch, New York, USA Cartas de Cuba, Ludwig Foundation, Havana, CUBA
Public Programming
2024
Permit to Dream: Touch, Sight, and Sound Method, Cell Project Space, London, UK 2024
Sunday Service: Artist Talk & Tour, London, UK 2019
Half-Title Print Fair, Gallatin School, New York, USA
Publications
2026
‘Manual: force with no net sum’, Emilia González Salgado & Michelle Lee Johnson, 2026
‘A Finely Tuned Battery of Senses’, Published by Cell Project Space, London, 2026 2019 ‘Missed Connections’, Michelle Lee Johnson, New York, 2019
2017
‘The Gallatin Review: Volume 32’, Published by New York University, New York, 2017